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Boy, NAMM looked boring

nothing major or cool that I can see
It is weird that the most exciting announcements at Namm were about boring stuff. Live is gonna support intel macs soon. ok. The most interesting stuff to me is the stuff I can find out very little about. Roland announced the R-09 a new field recorder and then didn’t give any details (or a picture!). Native Instruments announces the Kore and then have almost no details. It is a hardware and software host and plug-in and universal sound format? I don’t get it, but that is mostly because they haven’t told me anything about it.

yawn

maybe tomorrow will be better.

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Amp Modeling hell

Still very little love for the bassists. More options but still no good ones…
I’ve never amassed a big collection of amps or speakers. I have been pretty lucky to work with good recording engineers who have, so if I need a classic SVT or Ampeg head for a session, I’ve always been able to get one. When I record on my own, I will usually go direct or use my GK Combo. For band recordings, I use my live setup which is a GK 800 RB head with SWR 15″ and GK 2X10″ speakers. With my new diminutive studio where I’ll be doing a lot more in software (look for a ton of hardware on eBay any day now), I’ve been thinking a lot more about amp modeling, especially bass amp modeling.

The IK Multimedia/Ampeg thing never saw the light of day, unfortunately.

I’m left with 3 choices: IK Multimedia’s Amplitube, Native Instruments’ Guitar Rig and Line6’s TonePort. My take on each of these below…

Amplitube 2.0
Pros: Works as a plug-in, Most powerful emulation (pre-amp, power-amp, speakers, microphones, stomp boxes), Cheap upgrade from any IK product until end of 2005
Cons: IK Multimedia is jerky about authorizations and user support. No bass amp models

Guitar Rig:
Pros: Bass amp and cabs modeled, NI product quality and support, works as a plug-in, hardware controller available, more effects than amplitube
Cons: very Expensive (even software-only as an upgrade for a NI customer), not as powerful as amplitube

TonePort:
Pros: Line 6 has been doing this longer than anyone else, inexpensive (most expensive version same price as Amplitube 2.0 upgrade including audio interface), Pre-amp modeling for vocals, includes audio interface, nice expansion possibilities through inexpensive model packs.
Cons: audio interface works as a dongle, can’t use software without it; software will not function as a plug-in (need to go to back to analog to process existing tracks); no mic modeling; can’t use pre-amp models with amp models

Now when I do comparisons here, I’m doing it on a price and feature basis. I assume that given these companies lineage that they’ll each produce something of comparable quality. I’m also not that concerned with the accuracy of the models. I don’t need to A/B each model with the real thing, because I’m not really that interested in exactly duplicating the sound, I want a sound shaping tool. If I really wanted the exact sound of a particular head, I’ll buy / borrow / rent it. This whole modeling movement in audio software is getting goofy, it doesn’t make that much sense to me. I never had a fetish for old gear, my interests are in new sounds, not old ones.

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Finally, IPod as field recorder?

hidden in the details
When I saw the new IPod announcement, I thought “cool, longer battery and it is thinner. Oh, it does video, that’s nice.” It didn’t seem worth it to upgrade, but now Music Thing pointed out something that I didn’t notice. The new IPod’s tech specs show that it will record 44.1KHz stereo. I hope that it will actually be higher than 8 bit, but you never know. They have always been dead set against having high quality in because of audio piracy concerns.# Voice recording settings:

* Low (22.05 KHz, mono)
* High (44.1 KHz, stereo)

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Belated AES roundup

Here are the announcements that stand out to me…

Sony’s PCM-D1 field recorder: Kudos for the swank microphones, titanium shell and sweet specs. $2000 retail isn’t crazy for something like this, but it does mean that most field recordists won’t be buying it anytime soon. Here is what MusicThing thinks

Guitar Rig V2: Bass cabs and mics FINALLY, but just a single Ampeg head modeled? Add a Sunn, SWR and GK head or two and I’ll buy it right now.

ProjectMix I/O: sweet. If I was just starting out buying equipment, this would be my first purchase. If they come out with a ProjectMix (without the I/O) I might finally replace my PC 1600 X

Novation ReMOTE SL: I didn’t see this covered anywhere but on createdigitalmusic which is weird, ’cause this thing looks awesome. Not sure if it will replace the X-Station at the top of my gear lust pile, but it if it is affordable, I might actually buy it instead of just lusting after it.

CDM also has a nice shootout between Amplitube and Guitar Rig, but I’d also like to see how TonePort compares as well.

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from the other music blogs

pointers to new stuff from some of my favorite music tech blogs
Create Digital Music pointed me at a Drum Loop benefit for Hurricane Katrina victims, which is an awesome idea.
CDM also has a nice roundup of music-tech podcasts and an update on Fats Domino and Irma Thomas.

I’m waiting for the OS X version of SampleRobot, but until then at least I can download their free samples of the Oberheim Xpander.

AudioMastermind has a link to Tristan Perich’s CD case glich synth.

GetLoFi has an interesting item on Gameboy Artist-6955

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